I’ve been a fan of Doug Jackson’s writing for a long time, from his Roman work on the Caligula series and the Hero of Rome series to his Jamie Sinclair novels. Quite simply, unless he contemplated regency romance, there probably isn’t a Jackson novel I wouldn’t read. When I learned that he had taken an unpublished manuscript and released it himself as an ebook I was clearly going to read it.
The first thing that strikes me is that I read a lot of fiction released by big publishing houses and I read a lot of independent fiction (which varies in quality from the sublime to the ridiculous). This is the second time I have read an independent release by an otherwise traditionally published author. And what I noted straight away is that it further blurs the line between the two. A good independently published book is better than a poor traditionally published one. And this is for certain a really good independently published book. In fact, Transworld might have slipped up in letting this one pass. Well, Transworld’s loss is our gain, as you can buy the ebook of War Games for £2.15.
Tell you about the book, you say?
Alright. War Games is a modern thriller rooted in Scottish history, which occupies that same niche as the author’s Sinclair novels, or any number of investigative thrillers. But it is different. The protagonist of War Games is… a psychic investigator. The urge to add ‘Duh, duh, duhhhhhh’ after that is almost irresistable. The concept might put some folk off, I’ll admit. I’m not a huge fan of the psychic angle in book or film myself, but if it is done well, then it’s a great read. I’ll come back to the plot after a couple of tangents.
The book is set in the lowlands and borders of Scotland, which is Doug’s home territory, and the level of depth of knowledge and love that has gone into the descriptions of the locations is wonderful. And I am familiar with the area, having spent time at many of the locations myself, so I can vouch for how spot on Doug’s descriptions are.
The book is set in the present day (give or take a few years) but the plot delves into a background that covers anything from the ancient world up, focusing very heavily on the 12th to 14th centuries. Since we are familiar with the author’s historical knowledge and ability from other books, it should be no suprise how well this informs the plot and text of War Games.
The narration is told in the first person, and with an almost ‘voice-over’ aspect that puts me in mind of the classive film noir detectives, or the original theatrical release of Blade Runner. To some extent this can ham up a plot, but that can be a drawback or a bonus, depending on how it is integrated into the story. In War Games I found it positively endearing. It was evocative of so many detective movies of my youth and cast a certain ‘book noir’ aspect to it that worked for me.
As I said, I generally avoid all things psychic, but saying that I absolutely love the Necroscope novels of Brian Lumley which feature a whole slew of psychically-enabled investigators working for the British government. The reason? It was REALLY well done. It was believable and played to the realist in me rather than promoting the fantastical. Jackson’s hero does the same. The psychic aspect of it is such a minor facet of the whole and is so downplayed and shot through with strains of realism that it comes across as perfectly normal, which is hard to do, and works well.
So go on… back to the plot. Glen Savage – Falkland islands and Northern Ireland veteran and unhappy psychic is living close to the breadline trying to support himself and his wonderful wife, who suffers badly with MS, when he is offered a lucrative contract by a Muslim Scot with seemingly unlimited funds. Having spent the time between his military service and this point with a brief flare of a career as the psychic that helps the police – at least until that cash cow caught foot and mouth – he is the only choice Mr Ali can turn to when his daughter goes missing and the police are particularly unhelpful.
Cue an investigation into a crazed serial killer who is driven by madness and an odd identification with a long-dead crusader to murder those he sees as enemies of the faith.
And that’s enough of plot. I don’t want to ruin it. A last few notes, though. This is a tale with a serious leaning towards religious schism and long-standing creed hatred combined with a serial killer tale on a par with the top writers in the field. The writing is excellent as always, but with a raw edge and ‘noir’ aspect that adds atmosphere to the story. And the sideline exploration into the world of living with Multiple Sclerosis is fascinating too.
In short, War Games is a really absorbing story that hits the mark in a number of ways. I heartily recommend it.
And to give you a great glimpse into the world behind the book, I managed to get the author to answer a few questions. Thank you, Doug, and here we go…
SIMON: Most of the locations in War Games are strewn around the borders and lowlands of Scotland. I’m quite familiar with a few of the sites myself and I know that you’re from the area. How much were the locations selected in line with your plot, or was the plot to some extent tweaked by the inclusion of locations you were dying to use?
DOUG: When I finished my first novel (it became Caligula, but I didn’t then have publisher) I had no idea what to do next, but I’d enjoyed it so much it seemed a pity not to write another. By then I knew I was I capable of writing a historical novel, so why not try something different? What came next was a crime novel written in the first person because the main character started talking to me in my sleep in a kind of Fifties Noir Sam Spade voiceover kind of way. When I started writing it I had an idea that I wanted to make the Borders a character, in the way James Lee Burke does with so successfully with New Orleans and the Bayou. I suppose there was also an element of passing on my love of what is a very special place and encouraging others to visit it.The actual locations were dictated by the need to have links with one of the main historical figures in the book.
*Note from Simon: this answer came after I had written the bulk of the review, and I am fascinated by the synergy between what I got from the book and what Doug intended.*
SIMON: Was it interesting writing about a subject that is local in both time and place rather than the ancient world or thrillers that range around the globe? Did you find anything different about the process?
DOUG: Probably the most difficult thing about writing a contemporary novel in a place you’re very familiar with is to ensure that none of the events or locations comes across as mundane. When Glen Savage walks down a street or drives along a road he always has to be thinking something fascinating to do with the case, or his own, very specialised situation, and experiencing the sense of place very vividly.
SIMON: There is something of a religious conflict theme to the novel which in light of more recent events is actually quite current, but also runs the risk of that old chestnut of something you should never discuss. Were you nervous about touching on the religious theme and the relations between Islamic and Christian characters, and were you forced to make any changes to your story to avoid trouble?
DOUG: I had to think long and hard about some of the religious and cultural aspects of the book and the actions of some of the characters. But when you’re writing a murder mystery about a contemporary killer whose actions are being driven by events that happened hundreds of years ago you’re on relatively safe ground. The events and the inhumanity we see all around us every day go far beyond anything in the book.
SIMON: I have always been impressed by your level of research and knowledge when writing your Roman novels, but it is plainly obvious from your other works that you are well versed in the subject of the modern military. Added to that the police procedural aspects of War Games, and I’m led to ask how much your career in reporting and newspapers has contributed to your wealth of knowledge?
DOUG: My background as a journalist certainly helps. It is amazing the detail you pick up along the way. I’ve attended dozens of trials, several of them involving murder, and that gives you an insight into how the police work. That said I don’t need too much detail about the likes of forensics and pathology because Glen only knows what he knows and any other information he gets is from internet research in the same way I do. I’ve always been interested in military matters. When I was young I wanted to join the army, but as I got older it became clear I was too much of a wimp. I have hundreds of books on the subject and have read many hundreds more over the years. As far as the army etc are concerned I’m comfortable in just about any age, though I sometimes have to research the fine detail. I love playing at being a general. If only they’d let me join at that rank, with a batman with a G&T at hand at all times.
SIMON: Despite writing novels based in the Roman era (a very superstitious time) and esoteric modern thrillers which touch on mysterious subjects, your protagonists have thus far all been solidly rooted in the pragmatic world. For all the realism of the lead character in War Games, the fact cannot be avoided that he is a Psychic Investigator. What led you to explore such an idea, and was it difficult keeping the ‘real feel’ of the novel with such an unusual lead?
DOUG: I think that if you’re writing a contemporary detective novel in such a crowded genre your character has to have something that makes him different, so that and the fact that the police do call on psychics was the trigger for the psychic angle. The Savage character is actually based on a sergeant in the Scots Guards I met on a freezing day in Crossmaglen, young and very personable man, but hard as nails and probably the most – I think the word is competent – individual I’ve ever met. The most difficult part was deciding just how psychic to make him. He can’t know too much or he’d just be able to point to the killer, and he can’t use it too little or what’s the point of having the ability. In the end I decided to make his powers sporadic and relatively unreliable, so that sometimes he’s as sceptical of his ability as other people are. He’s a man who exudes confidence, but his experiences in the Falklands have left him mentally fragile.
SIMON: Will there be another Glen Savage mystery?
DOUG: War Games is actually the second Glen Savage book I’ve written, but people I showed it to thought the first – Brothers in Arms – which documents what happened to him in the war, as well as investigating the mysterious deaths of some of his former comrades – worked better as a second book. The problem with that is that I had to incorporate several key introductory scenes from Brothers into War Games, so I need to do some rewriting before I self-publish it. I’m slightly off the pace with my current Valerius novel, so unfortunately I don’t have the time at the moment but hopefully before Christmas.
Well all I can say is how much I enjoyed the book and how grateful I am that the author took the time to answer my questions. Thank you Doug for your insight.
Go buy the book folks, right HERE