Every now and then I come across a new series of books and wonder ‘why haven’t I come across these before?’ This is most definitely one of those. Robin Blake has created an immersive series set in, for me, a largely unknown era.
The Scrivener is in fact the third in a series, currently of 4, of mysteries set in mid 17th Lancashire. The book is billed as a Cragg and Fidelis mystery. Cragg is Preston’s coroner, and his friend Fidelis is a doctor. Between them, their skillsets and authority give them most of what they need to pick apart complex murders and plots, but it is not quite that straightforward. In fact, the book is written from the point of view of Cragg, and Fidelis seems to be more of a supporting character. In fact, Cragg’s clever and forthright wife is almost as helpful in their solution as Fidelis, though I have thus far read only one of the four books.
The Scrivener is a complex plot, which seems to have several threads with at best tenuous connections. A businessman shot dead in Preston, who seems to have been swindled. A trade mission to Guinea which is being investigated by an insurance agent. A trove of Civil War treasure found on Preston moor by a man now suffering a dreadful disabling medical condition, a will with peduliar conditions… it’s a wealth of fun for the mystery fan. The threads tie up nicely as the book draws to a close in the manner of all good mysteries. If I had one complaint about the plot it was a minor dissatisfaction that not everything in those threads is fully detailed and viewed by the reader. Some of it is reduced to a single line of second hand report. Still, this is merely the tidying up of the case. It just set my OCD twitching. The one that got away still nags at me, but enough about that in case I cause spoilers.
The writing is excellent, in that Blake manages to evoke the feel of the 17th century and create a brooding atmosphere while at the same time making everything relevant to the modern reader, easy to digest and at times perfectly light-hearted and enjoyable. The characters are likeable and believeable. They do not so conform to stereotypes that they are common, which is nice, since mystery protagonists often do. Again, with characters, there is one thing that nags at me, which is that the protagonists (or Cragg at least) is at times a little too good and politically incorrect for the time, in respetc of slavery and bear-baiting, for example. It really doesn’t spoil the book, mind, and probably makes it accessible to a number of readers who would otherwise be put off. Blake’s history and social culture of 1740s Lancashire is stop on, thorough, and fascinating, to the extent that I lost track of the things I learned in this book. Best of all, for me, is that I live just across the Pennines from Preston and have spent quite a bit of time in the area, so a lot of this is quite familiar to me.
I would recommend this book (and therefore probably the series) to readers of historical fiction, and to lovers of mystery. To those who fill the middle group in that Venn diagram, you’ll love it. I see readers of D.E. Meredith’s Hatton and Roumande mysteries loving Robin Blake, for example.