S.J.A. Turney's Books & More

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Posts Tagged ‘emperor

Caligula – from the horse’s mouth

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Mad, bad and dangerous to know. Well, actually, that was Lady Caroline Lamb describing Lord Byron. But it got your attention…

So I don’t often blather about my own books on this blog, but today is release day for the paperback of Caligula. And while like every author I love books to sell for obvious reasons, this is the first book I’ve sold that you can readily buy in bricks-and-mortar bookshops. And the success of Caligula will determine how many sequels I get to write. Caligula is out there, and Commodus is coming in spring, but there could be two more. If you lovely people buy Caligula, that is.

Caligula. A new telling of an old, old story.

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Rome 37AD. The emperor is dying. No-one knows how long he has left. The power struggle has begun.

When the ailing Tiberius thrusts Caligula’s family into the imperial succession in a bid to restore order, he will change the fate of the empire and create one of history’s most infamous tyrants, Caligula.

But was Caligula really a monster?

Forget everything you think you know. Let Livilla, Caligula’s youngest sister and confidante, tell you what really happened. How her quiet, caring brother became the most powerful man on earth.

And how, with lies, murder and betrayal, Rome was changed for ever . . .

So now is the time. If you like your Roman history, try Caligula. And watch out on my social media for the next week for one heck of a competition to win some AMAZING goodies. Wander in to your local book store and order it. Or go online and buy it. Christmas is coming up. I bet your dad would love to read a juicy tale about Rome’s most infamous emperor. Heh heh heh.

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Caligula is available in paperback (or hardback) with free worldwide delivery from Book Depository here.

The kindle edition is available here (UK and Commonwealth only, sadly not in the US)

Also available as an Audible audio book here. And really, it doesn’t get better than in the lovely tones of Laura Kirman.

That’s it, lovely people. All I have. Now off to potentially plot two more damned emperors.

🙂

Vale

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Written by SJAT

November 15, 2018 at 10:13 pm

Lucius Verus by M.C. Bishop

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Sometimes books just appear at serendipitous times. Last month this book was released, penned by one of the top scholars in his field, a man whose work I trust implicitly. I happened to have just finished writing my novel on Commodus and sent it to my editor. But since Verus was the uncle of my emperor and has an important role in my tale, I simply had to read this. Glad I did. There was so much in here that I needed to add to my story, and fortunately I had that opportunity during the editing stage. ‘Lucius Verus’ was something of an eye-opener.

Bishop starts out on his journey through Verus’ life by explaining that he is not attempting to ‘rehabilitate’ Verus and remove the stigma that history has left, but rather to remove the chaff from accounts and reveal only what truths or perceivable truths lie beneath the endless bias of biographers ancient and modern. In a way, he might have failed in that task in the nicest possible way, because by the end, I found Verus thoroughly rehabilitated and sympathetic. Much, fortunately, like the character in my novel. Phew.

This book is actually two subjects rolled into one, as the title suggests. It is at one and the same time a detailed and as accurate as it is possible to be biography of the man who co-ruled the empire with the great Marcus Aurelius, and a military narrative on the Parthian campaigns of the 160s AD. That it achieves both aims smoothly and without feeling at odds with one another is superb.

For those who are unfamiliar with Verus, you will probably be aware of his adoptive brother Marcus Aurelius and his nephew Commodus. From 161 AD until his death in 169, he shared the rule of the Roman empire with Aurelius, the two working in consort as co-emperors. Verus is not one of those emperors who was damned by the state (with whom I am gradually dealing) but perhaps by dint of being an easy comparison with his famous brother, he has been somewhat tarnished and sullied by biased historians after his death in much the same way the damned emperors were. Aurelius is the great philosopher-king, an emperor who shunned war, yet spent much of his reign on the borders fighting the enemies of Rome. A man of wit and wisdom and a calm and mellow one, even. Verus has ever been painted as the dissolute playboy prince. He is presented to us by historians as a drinker, a hedonist, lazy and a poor comparison to Aurelius. Bishop set out to pull apart the clear bias and try to find the real man beneath. An admirable attempt, I have to say. Throughout the text, Bishop repeatedly shows two facets that make his work stand out:

  • An almost unparalleled knowledge and understanding of the Roman world, which manifests in every tiny detail he produces being presented with clarity, sureness and relevance.
  • A wry wit and easy style that prevents any danger of the book slipping into dusty irredeemable academia.

The book begins by explaining its purpose and goals. Bishop then goes on to examine in detail all the sources on Verus’ life and evaluate them carefully. From there, he moves onto a biography of the emperor’s life until his accession to power with his brother. We then learn of the situation in the east and are treated to a little history of the borderland. An examination of the joint emperors’ rule and the nature of their sharing of power follows before we head east with Verus to examine his campaign in more detail than I expected. On the conclusion of that, Bishop then goes on to tell us of Verus’ life from there until his untimely death, before evaluating the ‘wastrel’ emperor and presenting his conclusion to the reader. The appendices are as interesting and important as the rest of the text, too, including copies of the emperor’s letters ans, most impressive of all, an attempt at redacting the infamous Historia Augusta, trimming the chaff and presenting a more factual, more reasonable selection within it.

I am not going to go into any further detail on the contents here, though I will say that there was not a section or even a page that I was tempted to skim over. And I challenge anyone to read the book and not have their opinion of Verus altered. In short, the book is probably my favourite of Bishop’s works (and I have a dozen or so), and as a clarified biography of a maligned man, it matches Winterling’s Caligula, which was the main basis for my own last imperial work. Pride of place on my shelves and a more than worthy exploration of a man who has been largely ignored thus far by historians.

HIGHLY recommended.

Written by SJAT

June 15, 2018 at 11:47 am

The Last Hour

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Rarely does a book all-but leap off the shelf, batter me round the head and say ‘read me’, but the Last Hour was one such rarity. At first glance all I knew was that it was a thriller set in the later Roman empire about a man struggling to make his way through the city against unassailable odds to halt a plot. Sounded soooo good. And I love Sidebottom’s writing – his Ballista books are some of my favourites.

It was not until I actually opened the book, courtesy of Netgalley, that I realised this is for me absolutely the best of both worlds. This is all what I said above, but it is ALSO a Ballista book. This is a new Warrior of Rome novel, taking the whole series and its wonderful characters in a bold new direction, which I love.

It was interesting reading this after the other Warrior of Rome books, for gradually over the series Ballista has built up a familia of fascinating characters who have become almost as central to the plots as the hero himself. They are often set in quite a sweeping scale with epic fights and Cecil B. DeMille scenes. The cast of the Last Hour is seriously stripped back, focusing almost entirely upon Ballista himself, with walk-ons and mentions for everyone else. And it is all tightly-set. One man, in one city, in one day. The focus in terms of time and character is a new and very welcome thing.

With this whole novel set in a single day in Rome, Sidebottom gets to unleash every ounce of his considerable knowledge of the Roman world in a steady flow and in an incredibly engaging way. There is not a hint of ‘info dump’ here. Everything Sidebottom writes that will educate the reader is slipped seamlessly into the tale, and believe me, there’s a lot. I like to think I know the ancient city of Rome well. I’ve explored it endlessly in books and research and on foot with my camera. But even though I know the place well, still I get surprised by some of the revelations in this book.

Quite simply, this is a historical/political thriller that would sit well on a shelf alongside modern thrillers by Tom Clancy, Dan Brown, or Frederick Forsyth, but with an added dimension, in that it is also a cracking historical novel. As I said earlier: the best of both worlds. The book is out on the 8th of March. I can’t recommend it highly enough.

Written by SJAT

February 7, 2018 at 9:36 am

The Centurions 2: Onslaught

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Early this year I had the opportunity to read and review Anthony Riches’ first Centurions book, Betrayal. I have now finished the second volume in this trilogy. It should be something of a clue as to the value I place on Riches’ work that my reading time has dropped by 75% this year due to work commitments, and yet I still made time to read both of these.

I said in my last review that the first book felt like a step into a more serious and deep style for Riches. This pace and style does not let up in the second volume of the series. This is one of the deepest and most complex of all military history series I have read.

You’ve heard the phrase ‘does exactly what it says on the tin’? Well this series does just that. Book 1 was military and political, with many switchbacks. Betrayal formed a core theme to the tale. Book 2 continues that trend. Onslaught. That is precisely what this book is. If you are looking for Machiavellian politics or civic and historical investigation or cunning mystery, this is not the book. If you are seeking war, then boy, this is for you.

Onslaught picks up the story of the Batavian revolt in Germania. There is manoeuvring politically through the contenders in the Year of the Four Emperors, but it is done on a personal and unit level in the provinces, not in noble families on the streets of Rome. Onslaught brings you unrelenting war. But it is not dull or repetitive, despite its martial theme throughout. It is possible to make a book about unrelenting war engaging. Movies do it often. Zulu. The Longest Day. Too Late the Hero. So do not hesitate if you’re a fan of the Roman military. This series is for you.

The greatest beauty of this book comes in two parts. Firstly, Riches is a military historian and knows his Roman warfare to an almost unparalleled level. The result then is a deep exploration and illustration of Roman/Germanic warfare in almost every aspect. It is almost like a lesson in Roman war. Secondly, because half these people are Germanic whether they be fighting for Rome or the native contingent, and the other half are Roman but are of their own split loyalties, this is no simple Roman vs Barbarian romp, but makes the reader appreciate the complexities and shades of grey in real Roman history.

The upshot? Well if you read book 1 you’ll be reading 2 anyway. If you haven’t then you are missing out as this is a whole new step from Riches. If you’re new to Riches’ work anyway then what the hell have you been doing? Pick up a book and get caught up.

Highly recommended as always by this man, one of the top authors in the genre.

The Centurions 1: Betrayal

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I’m sure if you’re reading my blog you’ll already be familiar with Riches’ work, in the form of his late 2nd century ‘Empire’ series. It came as something of a surprise to me last year to learn that while he is still continuing that series, Riches had sidestepped into a slightly earlier era with a trilogy project based on the Batavian Revolt.

For the record, I’m a huge fan of Riches’ Empire series, which has everything I look for in rollicking historical mayhem. But Betrayal is a different beast entirely. It feels considerably more grown-up than the Empire series (which sounds like an insult to Empire, but is not meant as such.) There is just something altogether more serious, thoughtful and… well, grown up… about this series. There’s no other way to put it.

Set during the Year of the Four Emperors, despite my love of Riches’ work, I approached Betrayal nervously. It is an era that has already been plumbed thoroughly by a number of very good writers, and the whole subject has become a little bit stale for me recently, the last good treatment I read being Doug Jackson’s. I needn’t have been concerned. Riches has done himself proud by looking at this oft-viewed piece of history from a new angle and a new point of view, which is impressive.

In fact, the general direction of the book reminded me of Ben Kane’s seemingly preferred angle, taking on a critical event in Roman history from a non-Roman point of view. In this case, it is largely told from the point of view of Civilis, a Batavian officer, with additional angles provided by a number of centurions on different sides of the conflict. And for anyone not familiar with the Year of the Four Emperors, there are most definitely more than two sides to look at.

Initially, I was a little perturbed by the number of angles and viewpoints, to be honest. Be aware that there are a lot of characters and units to familiarise yourself with, and that can require a lot of memory and concentration. But the same could be said with his Empire series, which involves a good number of important supporting characters, and yet that did not take me long to get the hang of. The same is the case here. It did not take too long to start grasping who was who and what was going on.

This is not a straightforward military romp. It is not a ‘swords and sandals adventure’. This is a deeply complex novel and, while it revolves around military units, the first book revolves more around the political machinations of powerful men, tribal politics and the strengths and failings of a number of imperial personas. In fact, battle scenes are rare for a Riches novel, with good in-your-face combat early and late in the story, sandwiching a knotty plot that is treated with respect and intelligence.

And the win for me? It gave me a new respect for the Batavians and their place in Roman history. Made me appreciate and consider the part they played in the early empire and the individuality of a people I had always rather lumped in as ‘one of those tribes.’

This is a superb book, and the start of what promises to be a cracking trilogy, given how this builds, and how it ends. The book is out on March 9th, and I suggest you pre-order it now or set a reminder to buy it in a fortnight!

Tales of Byzantium

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I am something of a lover of all things Byzantine these days, and an avid reader of historical fiction, of course, and so it’s no wonder really that this book came to my attention. Tales of Byzantium is a collection of three short stories, and so I shall deal with each individually briefly, and then the whole thing to finish.

The first story is primarily a love story. It is the tale of Constantine Porphyrogenitus and his lady Helena (he’s one of my heroes, responsible for Tekfur Saray palace in Istanbul.) This story actually takes up more than half the whole book. Once I realised that this was a romantic tale, just a short way in, I thought I probably wouldn’t like it – historical romance has to be done exceptionally well to hook me. But oddly I stuck with this, and am glad I did, for it is far more than a love story. It is an examination of the characters, of what it meant to be a member of one of the great dynasties, to be the empress, it’s an examination of the dichotomy of the whole Byzantine world, in that they were such a cultured ancient people, who were the most powerful nation imaginable, and yet they were also riven by self-destructive tendencies and unable to come to terms with their both east and west and the changing world around them. Perhaps for me, most of all, I enjoyed the scenery, for Istanbul (Constantinople) is my heartland, and I could picture every location as it was brought forth. No. In honesty, it was the characters of Constantine and Helena. They were beautifully portrayed. So if romance is not your thing, brush that trend aside and read it anyway, paying attention to the people.

The second tale is more my usual fare, being a military story based around a siege involving another of my faves, Manuel Komnenos (or Comnenus in the tale). The characters in this (Manuel in particular) are immensely likeable and deeply realistic. The story is one that has something of a twist, and I liked the way it was framed as a retrospective view. There are action scenes, some humour, and a light exploration of the politics of the era. War fans will enjoy the moments of the actual siege. My one complaint about this tale is that it could so easily have been a much bigger story. It could have been played out slower and longer, as long as the first story, really, and that would have given us more tension over the events that are central to the story and more opportunity to come to know Manuel. All in all, it’s a nice story and a good read. I just feel it was a slightly missed opportunity for something larger.

The third tale is of an exiled princess, who, trapped in a tedious life in a monastery, manages to live a life in almost solitude despite being in a city of millions. Demeaningly for a woman of her status, she is given the task of teaching a young nun to read and in doing so decides that an unfinished story should be finished. This is Anna Komnena, who wrote the great Alexiad which documented the empire at the time of the earliest crusades. Once more, this is a beautiful vignette well-written and lovingly-researched, with well-fleshed out characters and attention to detail. Once again, though, I felt that this came across more as the prologue of a much grander work than a tale on its own. If Stephenson decides at some point to write a grand epic of the eleventh and/or twelfth centuries in thew Byzantine world, this would make a lovely start to it.

Overall, then, the writing is lovely. The characters are presented just right, there is a depth and colour to the world that Stephenson has clearly treated as a labout of love. The stories are entertaining and intriguing and tell of some of the great characters of the Imperial dynasties with a great deal of historical knowledge and accuracy. The whole book is a very easy and enthralling read. My only issue was that of the three tales only one felt complete, the other two being a little brief for me. But at 99p in ebook form, it is well worth the money and worth a read nonetheless, and certainly made me appreciate the author’s skill. I shall look out for further work by her.

Written by SJAT

November 17, 2016 at 2:00 pm

Altar of Blood

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One of the best ways, in my experience, to guage the quality of fiction is how easy it is to read. Yes, there is some crap out there that is an easy read, and yes, there are great reads out there that require concentration and work. But more often than not a book that just grabs your attention and drags you along from beginning to end is a success. I find Anthony Riches’ books to be like that. They hook you in the first few pages, relieve you of sleep, food and work and occupy your waking moments until you reach the end and close the book with a smile. Case in point: Empire IX – Altar of Blood. Started it one morning. Finished it the next afternoon. Couldn’t stop reading it.

Part of it now has become the familiarity with the characters, the setting and the writing style. By the ninth book in a series, readers know they’re going to get what they want. They’re on a safe bet. But kudos is due any author who makes it to book 9 in a series and isn’t simply rehashing old stuff. I pick up Riches’ books and I know I’m in for a treat, though. And even this far into a series, I know I’m in for new twists and fresh discoveries.

Riches, you see, is unpredictable. He cannot be counted on to give us happily ever after, to give us tested formula for all my comments about familiarity. Riches might kill off someone important any moment. He will take us to new places and may even turn the tables so that previous friends are enemies and previous enemies friends. Such keeps things fresh.

With the ninth in the empire series, there is a new feel to the start. Altar of Blood begins with viciousness and eye-watering brutality, and then settles down into an opening tale of tragedy. Then gradually, as our hero is put through the emotional mill yet again, the true tale of the book comes out. We are re-introduced not only to the usual characters but also to the wicked emperor and the snake Cleander. And then our heroes are sent off on a dreadfully dangerous secret mission into barbarian lands, following a brief ‘Dirty dozen’ recruitment session. Interestingly, where the previous books have focused primarily on our friend Corvus/Aquila with interludes carried by his friends, this book is almost entirely narrated around characters that were formerly supporting cast, with Aquila only occasionally coming to the fore.

There follows a tale of subterfuge and double dealing, insurgency and counter insurgency, chases, battles in deep forest and swamp, catharsis and healing, treachery and betrayal and heroism in unexpected places. The tale owes something in form to ‘Heart of Darkness’ or ‘Apocalypse Now’, but one thing is certain: with Riches’ own blend of adventure, action, violence, harsh language and reality born of understanding the military mind, he is becoming something of a Tarantino of historical fiction. Fresh, unpredictable, fascinating and exciting.

And Husam! Oh, Husam, you are sooooo cool.

Altar of Blood is out in paperback today. Have you read the series? No. Then get started, as you’ve a treat ahead of you. If you have, then rest assured, volume nine is far from disappointing. Go buy it now.