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Book News

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So the big book news, I think, is that the 12th installment of the Marius’ Mules series – Sands of Egypt – is released today…

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Winter, 48 BC. Caesar and his small force are trapped in the Egyptian city of Alexandria. Caught up in the dynastic struggles of the House of Ptolemy, the consul has sided with the clever and ruthless Queen Cleopatra. Her brother and fellow monarch Ptolemy XIII languishes in the palace, a hostage of Caesar’s, while a huge army under the command of the Egyptian general Achillas closes on the city to free him.

With both the future of this ancient land and the safety of Caesar and his men at stake, Fronto and his friends face the terrible task of holding an unfamiliar city under siege, in the desperate hope that reinforcements will reach them before the enemy break in.

But Egyptian reinforcements gather too, and with the interference of the youngest princess, Arsinoë, the future is far from written. Trapped, besieged and outnumbered, time is running out for the Romans, as shadows loom across the sands of Egypt.

The book is available from Amazon here in paperback and kindle format, here on Google Books, here on Kobo, here on iBooks, here on Nook, and here for any other digital need.

But because I’m a little bit prolific, and one book to throw your way seems too little, how’s about I draw you to this too, which is now out in kindle format, with paperback to follow:

Rubicon

You like Roman fiction? This is for you. A collection of short stories from some of the very best Roman writers, including both myself and my partner in crime Gordon Doherty. And for my part, you Praetorian fans, the story is one of our friend Rufinus, set between the last book (Lions of Rome) and the next (The Cleansing Fire)

You can buy it on Kindle at the moment right here and here’s the blurb:

“Greater than the sum of its parts… Rubicon has something for everyone: action, humour and historical insight.” Michael Arnold

Ten acclaimed authors. Ten gripping stories.

Immerse yourself in Ancient Rome through a collection of thrilling narratives, featuring soldiers, statesmen and spies. Read about some of your favourite characters from established series, or be introduced to new writers in the genre. The stories in Rubicon are, like Rome, diverse and intriguing – involving savage battles, espionage, political intrigue and the lives of ordinary – and extraordinary – Romans, such as Ovid, Marcus Agrippa and a young Julius Caesar.

This brand new collection, brought to you by the Historical Writers’ Association, also includes interviews with each author. Find out more about their writing processes and what attracts them to the Roman world. View Ancient Rome through fresh eyes. Rubicon is a feast of moreish tales and a must read for all fans of historical fiction.

Authors & Stories Featured in Rubicon:

  • Nick Brown – Maker of Gold
  • Gordon Doherty – Eagles in the Desert
  • Ruth Downie – Alter Ego
  • Richard Foreman – A Brief Affair
  • Alison Morton – Mystery of Victory
  • Anthony Riches – The Invitation
  • Antonia Senior – Exiles
  • Peter Tonkin – The Roman
  • L.J. Trafford – The Wedding
  • S.J. Turney – The Praetorian

Praise for Rubicon:

“Rubicon is a declaration of intent to intrigue, inspire and entertain. For me, this collection of stories extols the camaraderie that exists amongst the historical fiction bother and sisterhood. It perfectly encapsulates a shared passion for the subject of Rome in all its abundance and varied manifestations, taking the reader on a guided tour through the familiar and the strange. Leading us wide-eyed through a genre which has never lost its lustre. 
This is the fiction equivalent of a box of chocolates, a celebration of diverse Rome stories drawing upon all the riches of that most extraordinary and enduring of civilisations. It is a treasure trove of tales, showcasing a wealth of talent.
I have been entertained by authors whose work I know and love, and I’ve discovered new voices too, writers whom I look forward to getting to know better. Indeed, if the purpose of this collection is to delight, distract and to whet the reader’s appetite, leaving us eager for more, it is a resounding success.
Rubicon is a rare treat which I thoroughly enjoyed. I don’t know what the official collective noun for Roman short stories is, but in this case I think it’s a triumph.” Giles Kristian.

And I tell you what, folks… the news doesn’t end there! Here’s some lovely little titbits that I KNOW some of you have been waiting for:

  • I have signed the contract for the audio versions of Praetorian: Lions of Rome, as well as for book 5, as yet unwritten. Book 4 is already in production and will be out soon, so more on that in due course.
  • I’ve also signed a deal with the interactive audio guide company Bardeum, which produces immersive audio tales that guide you round historical sites. Next year you’ll be able to lose yourself in one of my tales as you walk the hill of the Palatine in Rome.
  • I’ve just completed the contract for the release of both Caligula and Commodus in the United States. Yes, the Damned Emperors will soon be available in the US too!
  • And currently, three of the four Praetorian books are available on kindle in the UK for the bargain price of 99p. That means you can own the whole set for less than £5.50. Now’s the time to get them (which you can do here)

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  • Next year you’ll be able to read my first non-fiction work, a book on the great Roman general Agricola, through Amberley publishing. The man who made Roman Britain is a figure of fascination for me. It’s also, believe it or not, the first time I’ve written a book about the Romans in my own country!

And that’s book news for today. Hope that’s enough for you, folks.

Simon.

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New books!

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Grab your wallet/purse and make space on your bookshelves. Here are some recent and upcoming books you won’t want to miss:

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Well, I have to start with my own, don’t I. Commodus is released next Thursday (13th June). The second book of the Damned Emperors series is published by Orion and will be released in hardback, audio and ebook format that day.

“Rome is enjoying a period of stability and prosperity. The Empire’s borders are growing, and there are two sons in the imperial succession for the first time in Rome’s history. But all is not as it appears. Cracks are beginning to show. Two decades of war have taken their toll, and there are whispers of a sickness in the East. The Empire stands on the brink of true disaster, an age of gold giving way to one of iron and rust, a time of reason and strength sliding into hunger and pain.

The decline may yet be halted, though. One man tries to hold the fracturing empire together. To Rome, he is their emperor, their Hercules, their Commodus.

But Commodus is breaking up himself, and when the darkness grips, only one woman can hold him together. To Rome she was nothing. The plaything of the emperor. To Commodus, she was everything. She was Marcia.”

Pre-order Commodus here

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And my good friend and partner in crime Gordon Doherty has the first book of his new epic series Empires of Bronze out on that very same day. Son of Ishtar rolls out in paperback and ebook format on Thursday 13th of June. I’ve read it, too. It’s ace.

“Four sons. One throne. A world on the precipice.

1315 BC: Tensions soar between the great powers of the Late Bronze Age. The Hittites stand toe-to-toe with Egypt, Assyria and Mycenaean Ahhiyawa, and war seems inevitable. More, the fierce Kaskan tribes – age-old enemies of the Hittites – amass at the northern borders.

When Prince Hattu is born, it should be a rare joyous moment for all the Hittite people. But when the Goddess Ishtar comes to King Mursili in a dream, she warns that the boy is no blessing, telling of a dark future where he will stain Mursili’s throne with blood and bring destruction upon the world.

Thus, Hattu endures a solitary boyhood in the shadow of his siblings, spurned by his father and shunned by the Hittite people. But when the Kaskans invade, Hattu is drawn into the fray. It is a savage journey in which he strives to show his worth and valour. Yet with his every step, the shadow of Ishtar’s prophecy darkens…”

Pre-order Son of Ishtar here

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Another friend and comrade, Alex Gough, has just seen his first book in a new series released too. Book 1 of the Imperial Assassin series, The Emperor’s Sword, was released by Canelo yesterday, the 6th June in ebook format thus far. Once again, I had the chance to read this before release and lovers of Roman military fiction will really enjoy this.

“A desolate wasteland. A mission gone wrong. An impossible goal. A gripping new series of Ancient Rome

Roman scout Silus is deep behind enemy lines in Caledonia. As he spies on a raiding party, he is abruptly discovered by an enemy chief and his son.

Mounting a one man ambush, everything quickly goes wrong. Silus must run for his life, the head of the enemy leader in his hands. Little does he know the price he will pay…

As Silus is inducted into the Arcani, an elite faction of assassins and spies, he must return to Caledonia, back into the wilderness, and risk everything in the service of his Caesar. The odds don’t look good.

Failure is not an option.”

Buy the book here

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I would say that if you’re a historical fiction reader and you haven’t come across Ruth Downie’s Ruso books, then you must have been hiding in a cave for the past decade. While we wait for book 9 in the series, Ruth has treated us to a 150 page novella, which will be release in paperback and ebook format on July 9th.

“It’s AD 123 and the sun is shining on southern Gaul. Ex-military medic Ruso and his British wife Tilla are back after a long absence – but it’s not the reunion anyone had hoped for.

Ruso’s brother has left him in charge of a farm he has no idea how to manage, a chronic debt problem and a gaggle of accident-prone small children. Meanwhile his sister Flora has run away to rescue her boyfriend, who’s accused of murdering a wealthy guest at a party.

Can Ruso and Tilla save the boyfriend from the murder charge – or should they be saving Flora from the boyfriend? Will any of the guests tell the truth about the fatal party before it’s too late? And meanwhile, how long can Ruso continue to lie about what’s inside the bath house?”

Pre-order the book here

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And last but not least, fans of Robert Low will probably have already read his fab recent Roman epic ‘Beasts beyond the wall’. Well the second book in the series, The Red Serpent, is out on July 5th.

“At the edge of the empire, the hunters become the hunted…
They’re back – Drust, Kag, Ugo, Sib and some new faces – as dirt-ridden and downbeat as ever.

Drawn to the edge of the Roman world and the blasted deserts of the Syrian frontier, they are presented with a mysterious riddle from their old companions, Dog and Manius. In the scorching heat, plots and rumours breed like flies on a corpse.

To survive, Drust and the others must face all challengers along with Mother Nature’s rage. Sometimes they’ll stand and fight; sometimes they’ll run as fast as they can and pray to the Gods. For it is a mad and violent world, and they must be equal to it…”

Pre-order it here

Richard the Lionheart and Robin Hood

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So I started reading this book:

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And I started reading it, sadly, just a few short months after I finished writing my novel set in 1204, including odd events mentioned in this text. But that being said, I did confirm that what I had written conforms with Bartlett’s accounts (mainly of post-Byzantine Cyprus). So that’s my background to the book. And unusually, I’m going to review two books at once, and you’ll understand why half way through.

Why read any bio of this famous/infamous king of England? And why read this one in particular? Well, not just for the names, although Conan the Duke, Count Vulgrin and Grimaldo Grimaldi certainly draw the eye and make it sound like a work of fantasy. Why? Because Richard is probably England’s most famous king, and I reckon that if you ask the average person in the street, they wouldn’t be able to tell you why. That’s why. And why this one? well because, I reckon, it’s a great all-round and accessible work.

And this is the thing. Biographies can sometimes focus so much on the individual that it becomes meaningless, lacking context. This book does not. In fact, it is a biography of a dynasty more than a man. And even broader: of an age as much as a family. With kings being such a force at the centre of national, religious and military policy, any biography of the king should by rights include something of a general history. This book does that.

It covers every major flashpoint of which I have been aware in the history of the Angevins: the murder of Thomas Beckett, the battle of Horns of Hattin, the Jews of York, Acre, Jaffa and Chalus among others. And in doing so, it ties it all to Richard and his Angevin family, a dynasty that it turns out is as riven and troubled as any imperial Roman one.

I will state here my only two gripes. One is that the book could really have done with a family tree to which to refer, and I had to find one online to help me at times. The other was the author’s use of the phrase ‘both orders had been decimated at Hattin’, which niggles me as a Roman historian, for decimation specifically relates to the execution of one man in ten, and is frequently misused in place of obliteration.

The book is set out in a reassuringly chronological manner, covering the subject in stages: Early life, the politics of family, coronation and consolidation, the rise of the crusade, and then its fall, capture and imprisonment, John’s betrayal and release, war with France and finally demise and its impact. The treatment of John is also very fair, I think, which is unusual in a world in which he is uniformly villainised without adequate explanation. Parts of the tale, which reads often like a general history, are boosted by anecdotal asides, which is nice.

Several things occurred to me and were noted down during my read:

  • I’d never considered how much impact the death of Barbarossa had on the crusade
  • The collapse of the bridge at Gisors under Phillip mirrors the collapse of the Milvian Bridge under the emperor Maxentius, about which I’ve written. An odd symmetry.
  • The only assessment possible of Richard (like Marcus Aurelius) is only possible against a background of constant war, and we have no idea what kind of a peacetime king he would have been.
  • I’d forgotten how cool the Blondel and captivity story was.

The book ends in a summing up and what effects Richard had on history. All in all, this was a cracking read and one of the better biographies I have read. I highly recommend it. And to give you a taste, here’s a lovely quote:

“Only one son stood by his deathbed and he, ironically, was illegitimate […] Henry reportedly said of him that he was his only true son; it was the others who were bastards.”

My favourite line in the book. And during the closing parts of the book, unsurprisingly there is a short nod to the legend of Robin Hood and Richard’s part in it. And that’s the interesting thing. I’ve also just finished a ‘biography’ of Robin Hood, which I received ahead of publication and was planning to review, and this just seems to be kismet, the two being so aligned. So I now also give you:

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Now in fairness, I fully expected to hate this and to poo-poo it. I’m too rooted in historical record to give great credence to legends. That being said, there is an element of truth to all legends, and so, like King Arthur, or Achilles, or Troy, or Springheeled Jack, I occasionally indulge to see what other people think. I did so here.

It is a brave, and interesting, premise to launch your book treating Robin as a historical figure and then looking into the historiography of it, trying to ascertain how valid it is. And that warmed me to it. For Matthews is not stating that Robin was definitely real, lived in Privet Drive with his aunt Flo and worked for the water board. He presents evidence and himself treats it with suspicion as well as fascination. So my initial scepticism was gradually worn away.

The first thing the book did, and its first quarter is devoted to this, is to examine the earliest surviving ballads. Here, I encountered a tale that was at one and the same time the old, familiar Robin Hood of legend, but also a new and surprising take. I find myself even now wondering why no author or filmmaker has ever tried to turn this original medieval tale into a movie or book. It would surely be a new angle, despite being also the earliest. Robin comes across a lot more brutal and wily here.

And the thing that really struck me is that despite the traditional treatments I’ve seen and read, the Robin of earliest legend may not have been born during the time of Richard the Lion heart and King John. In fact, in the quoted text, there is reference to King Edward, making it likely Edward I or II, at the end of the 13th century, not the 12th! I was astounded. For this alone, the book was worthwhile.

Another interesting assertion is that Robbinhood might be a now-lost medieval term for an outlaw. That would make tracking the legend down nigh-on impossible, of course, so Matthews continues to examine any historical Robins. What he presents, based on the works of medieval tale-tellers, is more than one plausible historical Robin Hood, or the basis for them. This fascinated me.

The book then moves into investigations into possible pre-Medieval origins for the Robin legend, connecting ancient mythology, Saxon legend and more with the tale. For me, the book got a little bogged down at this point. The depth of the mythological work was impressive and probably deserves a book in its own right, but at times it seemed to me somewhat peripheral or tangential to the purpose of the book. I may be being unfair here, and will leave that to other readers to decide for themselves.

We then go on to examine the potential historical background of the other characters in the tale, being Marian and the ‘Merry Men’. This, again, fascinated me, and made it worthwhile.

What did surprise me was that half the book turned out to be recounted ballads of Robin Hood, the last 120 pages given over to these appendices. I felt that this was somewhat unnecessary and lacked the focus on the subject that I saw in the early chapters, since without Matthews’ commentary on it, it became little more than source material.

The upshot? A brave attacking of a tricky subject. Despite a couple of negatives, one of which being the brevity of the actual work, it threw my preconceived notions aside and provided me with fascinating new nuggets of information that I treasure.

I enjoyed it. If you have an interest in the subject, you probably will, too.

So there you go. Two books in one post, the first out now the second in May. Fascinating reading, for sure.

Written by SJAT

April 23, 2019 at 9:00 am

Pharaoh’s Treasure

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Fancy a fascinating dip into some non-fiction history? Here’s a subject you might not have sought out, but one that might capture your fascination. I read the title and the description and simply decided I wanted to know more. It’s not a text I need for research, but like so many good books, it is one that when read will inform everything I ever look at hereafter. It is the history of paper, and with it the written word.

It’s a subject that’s always hovered on the edge of what I do, since the day I wrote about Caesar’s ‘paperwork’ and then panicked about the fact that the Romans didn’t have paper. But did they? Now that’s a question that this book will address. It is informative and interesting, yet despite everything for me the most important value it has is that it has defined the word ‘paper’ and I will cite it forever in my author notes for books.

The book begins with ancient Egypt, as you might guess from the title. The Pharaoh’s Treasure? *Said in a worryingly Rolf Harris voice*: ‘Can you guess what it is yet?’ Well, without wanting to spoil the book for you, said treasure is the oldest paper ever found, in a box, in a tomb. We move from there to the first written record. No surprises that this is also Egypt, the records of one of the pharaoh Khufu’s administrators. Typical of humanity that the earliest writing found was not left by a playwright or a comedian, but a bureaucrat, eh? Still, an astounding discovery.

There is a lot of focus on the importance of the written word. In Egypt this means the book of the dead and all the burial texts. The Eighteenth to Twentieth centuries unearthed ever increasing numbers of important texts in Egypt. The vital part paper had in the Egyptian world is clear, and the book moves from there into the Judeo-Christian world and the same value that is applied to paper and written records there.

There is some fairly in-depth discussion of the manufacture of papyrus (yes, we get the word paper from it, as the book reminds us), and on its production, which reached an almost industrial scale in later Egypt. We move on from there into Greece and particularly Rome. This is, of course, my specialist subject. Anyone who studies Rome will know that their culture were the first to become almost obsessively bureaucratic, and Rome moves the written word to the next level. Apparently (according to Pliny who lists the different grades of Roman paper) there was even a type of Roman packing paper!

The book then moves on to examine the new value of paper and the written word for fiction, text books, theatre, and on to libraries, the vast trade in writing, in ink, in pens and so forth. The existence of the Great Library. We move on into the Byzantine world, where bureaucracy reaches a peak perhaps unseen in the history of man, and then to the Roman Church, where it’s value and use is blindingly clear.

Then there was something that brought a massive surprise to me. Something that probably made more impact than anything else in the book. The history of paper and the written word changed immeasurably, following the events of a specific battle in the 8th century. I’m not going to spoil that one for you, and I’m not even going to mention the battle or its long-reaching effect. You’ll have to read the book for that.

There is some final rounding up of the data and conclusions, but that’s it. And if you don’t read the book for anything else, I hope you’re intrigued enough about the battle to go for it. It’s a very specifically-aimed book and will be of little direct actual use to most folk, but as a fascinating piece of historical research with some startling conclusions, it is well worth the time. Recommended.

Written by SJAT

February 7, 2019 at 11:41 pm

Colossus: Stone and Steel by David Blixt

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Every now and then you discover a book that has somehow completely passed you by. I generally like to think I’m aware of the better releases in the Roman genre. I write in it, so I keep my eye on it, of course. I became aware of Blixt and his books through mututal connection. I write books with the historical fiction collective known as H360. So does David. We’ve not worked on a project together yet, but there is that connection, and I discovered in looking at his Verona series that he also has a Roman series.

Now the H360 team don’t take on bad writers, so my interest was truly piqued. I opened the book not knowing what to expect. Sometimes I will read a book purely on the author’s name, sometimes on the title and sometimes (yes I know they say you shouldn’t) on the cover., without reading even a basic blurb. Consequently I had no idea what Colossus: Stone and Steel was about other than it was Roman and written by David Blixt.

Pleasant surprise time. Stone and steel drew me in and kept me reading at any given opportunity until I hit the end and wished I had time to start the next book. Stone and Steel was simply an excellent book.

We start with excitement and atmosphere in first century Judea. The characters are fictional but very realistic and strong, and I was being quickly drawn in when I read a name, made instant connections and realised we were reading about the writer Josephus, one of my fave personalities in ancient Rome. In fact, I had toyed with writing the story of Flavius Josephus myself, and it was a project in a shelf somewhere. Glad I never tried, because I couldn’t do him the justice Blixt does.

You know why? Because this book is partially about Vespasian and the Flavian family, and Rome and its pernickety emperors and implacable consuls. But it is more about the Jewish people in Roman Judea and their struggles against sometimes Rome but more often each other. And while I know imperial Rome quite well, my familiarity with ancient Israel is less than fragmentary. So this book really struck me perfectly. It was at once familiar and strange, Roman and Jewish, imperial and rebellious. Blixt shows a deep understanding of the time and culture and displays a most impressive ability to portray this in fiction.

So now you know this is about the Flavians and Josephus and the Jewish War. And for those who  know the history I will also add the name Jotopata. This is the tale of brothers and friends and family on both sides in a war that no one really thinks can do any good. This is a tale of internecine warfare, of the unstoppable war machine and the uncrushable Jewish spirit. It is the story of a brutal siege and of cultures clashing.

Essentially, Stone and Steel is well-written, beautifully researched, clever, informative, atmospheric and a must read for every fan of the genre. The characters are fully fleshed-out, the action exciting, the history accurate. The book ranks up easily along with the very cream of Roman fiction. I heartily recommend it.

Read Blixt’s book. You won’t regret it.

Written by SJAT

December 24, 2018 at 11:41 pm

A Gross of Pirates

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While there’s really no way I could claim to have read this for research, read it I did, and entirely for fun. I have written about pirates many times: the fictional Ghassan and Samir in Dark Empress, Kemal Reis and other Barbary sailors in The Priest’s Tale, and the Mauri pirates in my forthcoming fourth book in the Praetorian series (Lions of Rome), and so I thought I had a pretty good handle on pirates of all sorts of eras and cultures. Heck, I even own three textbooks on historical piracy.

This book opened my eyes. And gave me so many ideas for novel plots it’s untrue, to boot. A gross of pirates is exactly what it claims to be. I expected it to be another informative, and perhaps dry, history of piracy. This it is not.

What it is is a catalogue of real historical figures. A gross of them, in fact, categorised into eras and cultures. There are well-known names in there: John Paul Jones, Barbarossa, Morgan, Drake, Calico Jack. But with 144 pirates in there, clearly you are going to find names you’ve not discovered before.  For me, particularly fascinating were Jeanne de Clisson, Uluj Ali, and Henry Every.  In fact, of 144 pirates, I could say in truth that I knew less than 20, which is pretty good.

Each pirate is treated with a brief precis of their life – a mini but well-presented biography. With 308 pages and 144 pirates, you can immediately work out roughly how much page space is given to each character. As a writer, I can tell you that this is no bad thing. Having a word limit imposed makes you hone and pare down the text so that what you end up with is a really well-written and pertinent piece of writing, rather than perhaps a rambling account given to descriptive. The old Dragnet line leaps to mind: ‘Just the facts, ma’am’. And Breverton does an excellent job with this. Each account is engaging and informative.

In short, if you are an academic or writer with even a remote interest in the sea and its history, this book will give you endless resources. If you are just a lover of history or the sea, this will be an engaging and fascinating collection. If you simply like to read something fun, then this is actually for you too. Read. Enjoy. ’nuff said…

You can buy the book here, and I urge you to do so. 🙂

Written by SJAT

December 15, 2018 at 10:29 pm

Caligula – from the horse’s mouth

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Mad, bad and dangerous to know. Well, actually, that was Lady Caroline Lamb describing Lord Byron. But it got your attention…

So I don’t often blather about my own books on this blog, but today is release day for the paperback of Caligula. And while like every author I love books to sell for obvious reasons, this is the first book I’ve sold that you can readily buy in bricks-and-mortar bookshops. And the success of Caligula will determine how many sequels I get to write. Caligula is out there, and Commodus is coming in spring, but there could be two more. If you lovely people buy Caligula, that is.

Caligula. A new telling of an old, old story.

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Rome 37AD. The emperor is dying. No-one knows how long he has left. The power struggle has begun.

When the ailing Tiberius thrusts Caligula’s family into the imperial succession in a bid to restore order, he will change the fate of the empire and create one of history’s most infamous tyrants, Caligula.

But was Caligula really a monster?

Forget everything you think you know. Let Livilla, Caligula’s youngest sister and confidante, tell you what really happened. How her quiet, caring brother became the most powerful man on earth.

And how, with lies, murder and betrayal, Rome was changed for ever . . .

So now is the time. If you like your Roman history, try Caligula. And watch out on my social media for the next week for one heck of a competition to win some AMAZING goodies. Wander in to your local book store and order it. Or go online and buy it. Christmas is coming up. I bet your dad would love to read a juicy tale about Rome’s most infamous emperor. Heh heh heh.

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Caligula is available in paperback (or hardback) with free worldwide delivery from Book Depository here.

The kindle edition is available here (UK and Commonwealth only, sadly not in the US)

Also available as an Audible audio book here. And really, it doesn’t get better than in the lovely tones of Laura Kirman.

That’s it, lovely people. All I have. Now off to potentially plot two more damned emperors.

🙂

Vale

Written by SJAT

November 15, 2018 at 10:13 pm