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Posts Tagged ‘prue batten

Top 10 reads of 2015

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How propitious. Thursday is blog day and this post, which is my top 10 reads of 2015 happens therefore to fall on New Year’s Eve. These are the best of my reads this year and are presented in order of Author surname, not preference. And, oddly, there are some of my fave authors not represented here, simply because I’ve not read one of their books this year. And for good measure I’ve thrown in a bonus read at the end! Enjoy the list.

Tobias – Prue Batten

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The first in a trilogy of spin-offs from Prue’s Gisborne series, Tobias was a hit this year since it maintained her absolutely tip-top standards of prose, style and character, while taking a step forward in terms of plot and action. It represents Prue’s best work so far and is a perfect marriage of style and content. Read my review here.

The Emperor’s Silver – Nick Brown

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One of my all-time fave series came back with a bang this year. Nick Brown took a novel character type and a little-used era and created the Agent of Rome. And his protagonist has grown and acquired friends through the series, and though this one stands out partially for the intricate plot, it mostly does so because of the impressive character growth of the supporting cast, which was long anticipated and very welcome. Read my review here.

The Great King – Christian Cameron

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The Long War series is one of the most immersive and expansive series in historical fiction, and the Great King stands out from the rest of the series for me because it contains everything I seek in this kind of work. It covers one of the greatest military engagements in Greek history, explores the Olympic Games and leads us a journey into the heart of Persia. All really good stuff. Read my review here.

The Devil’s Assassin – Paul Fraser Collard

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Jack Lark is one of the best literary inventions of the past decade. A truly unique character idea and one that initially I thought would have trouble managing a second book. And this one is the third! The third Lark book is also a game changer, taking us off on a tangent from what we were expecting, which is a brave move for an author and sometimes fails in execution. This one didn’t. Read my review here.

The King’s Assassin – Angus Donald

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The Outlaw chronicles have been a welcome staple of my reading for years now, and consitently make my top 10. King’s Assassin is something new, though. It feels different from the other novels in the series. To some extent, it felt like what had been a proper boy’s adventure series had grown up, passing through to become something different. It is the penultimate in the series and there is a definite feel of something coming to an end. Read my review here.

America’s First Daughter – Stephanie Dray & Laura Kamoie

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A new writer for me – two new writers, in fact. I’d encountered Stephanie’s work as part of the A Day Of Fire collection, but this was something else and a phenomenal achievement. It was a new type of read for me entirely, and one born from the most unique perspective. It opened up new avenues of interest in my life, and for that alone it deserves a top ten spot. Read me review here.

Eagles at War – Ben Kane

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Again, Ben Kane moves into a new milieu, having dealt with the Caesarian era, Hannibal and Spartacus. And this time he’s moved more into my period of choice. To take on the Teutoborg disaster and try to cover the scope in a single novel is a massive undertaking and he did it justice from both sides of the conflict, which was nice to see. Read my review here.

Lady of the Eternal City – Kate Quinn

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Again, a contributor to A Day Of Fire, Kate Quinn proved herself to me with this novel, which is languorous and exotic and yet at the same time informative and pacy, showing a side of the emperor Hadrian that I had never even imagined. A win on several levels. Read my review here.

Thunder of the Gods – Anthony Riches

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The empire series is on its eighth book now and seems to be running from strength to strength. Here we have moved geographically into the Middle East to explore the Parthian world in a truly action packed and fast paced military adventure. The reason for this win: Riches has settled into the characters beautifully and has managed to change directions with the overall plot arc now. Read my review here.

The Holy Thief – William Ryan

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One of the most atmospheric books I have ever read. Quite simply that. A Gorky Park for this decade, Holy Thief is a perfect marriage of intricate plot and foggy, dangerous, cloying atmosphere. The protagonist is extremely real and sympathetic and I felt totally drawn into the time. Read my review here.

Into The Fire – Manda Scott

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One of the most ambitious novels I have ever encountered, Into the Fire was a duel timeline treat dealing with modern police procedure and political shenanigans and the campaigns of Joan of Arc. It was a masterpiece in both times and probably hits my top ten of all time. Read my review here.

So there we go. 11 books in a top 10, and each and every one a gem. If you didn’t get round to reading one of them this year, go get it for 2016. Happy New Year and happy reading everyone.

Gisborne III: Book of Kings

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Those of you who follow my blog and reviews, or even just listen to me blather on Facebook or Twitter will already know of Prue Batten and how I regularly vaunt her writing. If you are new to these or need a reminder, I would say to you simply that of all the writers I know (and not just the independent ones) Prue’s writing style is the most mesmeric, flawless, silken and almost poetic. She could write up the minutes of a meeting of a county council’s session and make it sound like a ballad. So you already have an inkling of where I’m going with this review.

Prue became noted early on as a writer of fantasy – a rather unusual and intriguing fantasy world of her own creation that revolved around the mythical Faerie. These books were rather darker than many would assume when they hear the word Faerie, for Prue has given us more of a view into the kind of Fey that still dominate the folklore of the Celtic world. The sort of Faeries that steal children, play with mortals’ minds and trick and deceive. Such were the chronicles of Eirie. Needless to say, I love them and would recommend them to a fantasy reader who’s looking for something a little different, with depth and insight.

Then, in a move that came as a surprise to me, a few years ago, Prue turned her hand to the genre of Historical Fiction. Thus was born Gisborne: Book of Pawns. In very brief summary, this was the tale of a young noblewoman from Aquitaine in the 12th century, a ward of Richard Coeur de Lion, who falls in with Guy of Gisborne (yes, him. You’ve heard of him.) Essentially, a medieval tale with a strong lean towards the Romantic genre, this was a tale of betrayals and survival and with Prue’s mastery of the written word was an instant hit with me, despite not shooting for my area of interest. It was enough that I leapt at the second book immediately, when Gisborne: Book of Knights was released. Better for me, the second volume in the series took everything I liked about the first, but threw in a healthy tale of voyages, swordfights, crusades and so on. Really hit the spot, that did. If you want to see more, click here for my review of the first two books some time back.

And recently I sat watching Prue’s comments on Facebook, telling of how she was wrapping up with the third book. And I had the opportunity (lucky me) to get my hands on an advance reading copy. Well, Gisborne III is now out on Kindle, so feel free to rush off and buy your copy if you already know you want it (Amazon link here).

What can I say? Gisborne III is everything I had expected. Once more, it takes a subtle half-step away from the romantic content and a heavy ten paces into the world of troubled 12th century Europe. For those of you who have read the first two books, I will give one thing away here: Ysabel has grown up. I expect that, like me, you have torn you hair out over two books with Ysabel’s foolish tendency to mess everything up because she cannot hold herself back and leaps foolhardy into trouble at every step. Not so in this book. You will still recognise the same headstrong girl and she still has her moments of ‘ARGH!’ lack of foresight, but they are much fewer and on many occasions she now actually thinks before she acts. Additionally, old friends return (Peter, Tobias and so many more) and new interesting characters appear – one of whom made the book for me to some extent. When you read it, you’ll soon work out who that one is, I’m sure.

The plot? Well you know I don’t like to risk spoilers, but I will give you hints. Now in Venice, Ysabel has only a brief moment with Guy before he disappears off into the wide world to help his King, who has returned from the Holy land to find much of Europe set against him and is attempting to journey home through hostile lands. During his absence, Ysabel begins to suspect that she and her household are being watched by a malevolent presence. Her fears prove to be well-founded when her young son is kidnapped following a thoroughly engrossing and heart-in mouth scene. Thus begins a quest to find and rescue young William and uncover the truth behind a sinister new antagonist who seems to have at his command the small group of renegade fallen templars from the previous volume.

This is the last of the Gisborne trilogy, so expect a crescendo and a wrap up, though it appears a series of standalone spin offs, based on the supporting characters, is in the offing, so there is that to look forward to.

As always with Prue’s work, Gisborne III is a joy to read, smooth and eloquent, with a well-constructed plot weaved around well-imagined characters and, despite the grace and charm of her writing, no punches are pulled with the scenes of violence and destruction that are a necessity of a thriller, especially one set in such an era.

Bravo Prue, once again.

Go out and buy it folks.

Written by SJAT

June 30, 2014 at 11:14 am

My writing has a process?

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I was invited by the lovely and talented Prue Batten to take part in a writing process blog tour. For any of you who’ve not listened to me blather at great length about Prue before, you might like to check out her work: the fay fantasy Chronicles of Eirie and the medieval Gisborne saga. Her words are like silk. They are like a fine wine. They are beautiful. Check out Prue’s writing process here: Am I Unique?

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The tour requires that I answer several questions, and I find them to be sharp, complex ones on the whole, but we start with the easy one:

1. What am I working on?

And yet even that is far from simple. You see unlike most writers, who are sensible and logical and not clearly barking like me, I am apparently unable to concentrate on one project at a time. My imagination constantly runs riot and hurls thoughts at me that begin with phrases like ‘But what if…’ or ‘And what about…’ and I find myself branching out and adding another tandem project to my roster. And so… what am I working on?

Well, the simple one is The Assassin’s Tale, which will be released in less than 2 months. This is the third book in the Ottoman Cycle, following the adventures of Skiouros, a Greek former thief at the end of the Fifteenth century as he journeys around the Mediterranean on a quest for vengeance. For those of you who’ve read The Thief’s Tale and The Priest’s Tale, you might be interested to hear that the action here moves from Spain to Italy in the hunt for the exiled Turk.

But then there’s another project. A secret project. Shhhhh! No details, hints or teasers for you here, I’m afraid, but this is a project that is taking place intermittently between the others, alongside the talented Gordon Doherty. Yes we are working together on something, and I love it. 🙂 News on that will follow in due course.

And then there’s the OTHER project! This third one is a joint project with the superb Dave Slaney, the man who has designed most of my book covers and done other wonderful sterling illustrations here and there. Dave and I have joined forces to create a childrens’ book based on the Roman military, with my story and Dave’s amazing images. Having seen some of the early sketches, I can only say it’s going to be a belter of a book! 🙂

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2. How does my work differ from others of its genre?

Hmmm. ‘Which genre?’ I would have to ask. I’m mostly known for writing in the Republican Roman era, but I’ve also written Roman principate stuff, 15th century Turkish/Byzantine, epic fantasy with a classical feel, a few contemporary short stories, and so on…

I suppose, then, that I simply have to try and answer ‘what is different about my work?’ Probably nothing is my answer. After all, such a question can only reasonably be answered by the readers. I can tell you what I think might be different, or perhaps what I hope is different:

I think I hit a nice mix. I have a tendency towards graphic violence in my work (hard not to when dealing with ancient warfare) but I think it is tempered by my general avoidance of sexual content beyond suggestion, my sparsity with bad language and the general idea that my books are suitable for all ages, so long as they don’t mind a bit of blood & guts. They’re also tempered with a bit of humour. I do feel that Historical Fiction is often lacking a sense of humour, and I like a little lightness of mood in my work.

Is that a good answer? I’m afraid it’s the best I have. 🙂

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3. Why do I write what I do?

Ye Gods! Because I love it. Anyone who reads this blog will be aware of what I read from my book reviews. If you note the sort of books I read, you’ll be left in no doubt as to why I write what I do. I am inspired to ever greater heights by people like Guy Gavriel Kay, Manda Scott, Anthony Riches, Ben Kane, Angus Donald, Giles Kristian, Doug Jackson and so many, many more. And, of course, I am obsessive over ancient history. I cannot spend enough hours wandering among ruins or visiting the most far-flung and exciting archaeological sites. And when I’m not visiting, writing, or reading other people’s novels, I am reading non-fiction. Incidentally, in that regard check back early next week for a mega-review of one of the giants of Roman non-fiction, Mike (MC) Bishop.

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4. How does my writing process work?

Ha. Like a gaudily-painted runaway steamroller!

Actually, I start with an idea, often based upon a specific tiny event. These are usually unknowns, such as the event at the heart of the Thief’s Tale (no spoilers.) Equally often it is because I just want to write about a certain place that fills me with awe, or a character who fascinates me.

ThenI pick a concept. A theme. Brotherly strife. Irreconcilable political divides. Civil war. And then build a plot based around the concept and the hook. It rarely takes long. Terry Pratchett in his Discworld novels explained the concept that inspiration sleeted through the universe like shooting stars. Most people get pelted occasionally, but the really lucky (unlucky) ones get battered by them like a soggy cardboard box left out in a rainstorm. I am the latter. If I wrote every hour the Gods sent and subcontracted to four people I would still end up with ideas backing up!

Once I have my basic plot, I write it out, change it, tweak it, alter it, hate it, change it, rewrite it, bin it, start it, alter it, write it out, spill coffee on it, change it, give up on it and eat cake, have a beer, have an epiphany, have another beer, and then at 2am with a mad glint in my eye, I have the story.

The I break the plot down int0 sections, and then into subsections and turn it into a chapter plan. Then I assign a rough word count to each part based on its content.

Then… I drink several coffees, crank up the volume on a little Pink Floyd or Anathema in my office and…. WE’RE OFF!

I write each chapter and – I know this is unique to me, so here’s a helpful hint – at the end of every chapter I run a close edit of that chapter. Then, periodically, I go back when I reach critical moments and run another edit. I also have grammar nazi’s running edits for me throughout. Then, when I’ve finished it, I have one final edit and then send it out to a few trusted test readers. Then it’s a last edit based on their findings, and then it’s ready.

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Ok folks. I’ve given you an insight into the randomness and craziness that is my process. Now, the next part of this tour I am supposed to recruit 3 others to pass on the torch to. However, due to time constraints and the fact that I was abroad for a chunk of the planning of this, two of the people I have asked simply did not have time to take part. I can sympathise with that, in truth. But I have managed to secure for you two more writers to investigate. Go check out their blogs now and watch for their own responses on Monday.

ELAINE MOXON:

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Elaine Moxon is a Birmingham-based Historical Fiction writer and former Holistic Therapist. Her grandfather’s tales of his youthful adventures in rural Italy gave her a love of storytelling, inspiring her to write from an early age. She has a passion for languages, travel, art and history, her favourite eras predominantly the Saxon and Viking ages. She has contributed articles, short stories and poetry to online magazines ‘Birmingham Favourites’ and ‘Crumpets & Tea’. Her Grime-Noir Thriller short film ‘Deception’, produced and directed by Lightweaver Productions, has been nominated for the 2014 American Online Film Awards in New York. She is also a frequent speaker at Letocetum Roman Museum in Wall, Staffordshire, giving historical talks and readings from her forthcoming debut novel.

On a personal note, I have read a large chunk of Elaine’s forthcoming Saxon epic, and it’s a tale with style and oomph. I look forward to the full thing, and I urge you to keep an eye on her. Her responses to these prying questions will go live on Monday 14th on her blog at: http://elainemoxon.blogspot.co.uk/

 

aaaaaannnnnddddd….

A J (ANTHONY) ARMITT

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A fab fella, engaging writer and sometime partner in crime of mine, here’s Tony’s bio in his own words:

‘I live in Manchester, England with my wife, three kids and two cats. In our household hierarchy, I figure just beneath the felines.

On moonlit nights I can be found looking under the bed or checking the back seat of my car. I have an over-active imagination.

I write dark, twisted fiction, and have an irrational fear of zombies, and, thanks to Stephen Spielberg, I’m also terrified of sharks. My biggest fear would have to be zombie-sharks. (Damn that over-active imagination!)

My first book ‘Entwined – Tales from the City’ has been the #1 bestselling horror anthology on numerous occasions. I hope the follow up book ‘Entwined – Tales from the Village’ will do equally as well when I finally get around to finishing it.’

… Tony is a man with a cruel, vivid, stunning imagination and when he puts his tales into words they will shock and thrill you. Look his work up on Amazon, including his many contributions to the ‘Inkslinger’ compilations from which the funds go to charity. Tony’s responses will also be up on Monday 14th, and his blog can be found here: http://ajarmitt.blogspot.co.uk/

Written by SJAT

April 11, 2014 at 8:00 am

The wonder of Miniature Books

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Imagine my delight when I returned from Istanbul to find, among all the usual dross post, bills and invitations to patronise any number of local businesses, this little gem:

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Oh yes, I guess that doesn’t do it justice. You can see what it is: a book on ‘The Latin Of The Legions’. A very nice hardback, beautifully bound and illustrated. What you can’t really see is the scale. Let me try that again…

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There. See what I mean? The book is about half the size of my mobile phone! And it is exquisite. Let me show you the inside cover…

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How beautiful is that? I’m sure any number of my Roman-obsessed friends are already twitching and wondering where it would look best on their shelves/in their office. If not, then you need to see it for yourself, then you will.

This was a gift from Pat Sweet, the wonderful brains and talent behind the book and the company that produces it. Apparently this particular volume was inspired by Marius’ Mules, which I take to be one of the most astounding blush-worthy complements I have ever received.

This little treasure has taken pride of place on my history books shelf, alongside my treasured signed copy of Roman Military Equipment by Bishop & Coulston and my 1912 copy of Stettiner’s Rome in Her Monuments. It is simply that worthy.

Want it? Of course you do. Go get it here.

But more than that, there will be so many titles you will want, when you peruse Bo Press Miniature Books’ website. I’ve earmarked a few myself. Just look at this one page alone:

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You might notice there Gisborne, a short story by the excellent Prue Batten, and Nugget: The Black Wombat – a children’s tale by Prue. Marcus is the proud owner of the latter, which even has a tiny, exquisite map in the back! But look at the binding. Isn’t it astounding?

Click on that link above and have a look through the site yourself. An artist such as Pat deserves support and I urge you to check out her site.

Beautiful.

Happy Thursday, all.

Written by SJAT

March 27, 2014 at 11:29 am

Han, but far from Solo

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An alternative title for the blog that I was toying with was: I’ll have a Shifu Cloth with Fried Rice and Special Ribs.

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A few years ago I first became acquainted with the writing of Prue Batten, as she happened to be a member of the same peer review site as me. I got to read a sample of her fledgling work there and became a fan.

Prue’s portfolio has somewhat exploded since then, with four books in her Chronicles of Eirie fantasy series now available as well as a work of medieval historical fiction.

I read the first book (The Stumpwork Robe) and the second (The Last Stitch) in close order but, due to lack of time and other commitments I somehow missed A Thousand Glass Flowers. Recently, having had book four brought to my attention, I delved back into the world of Eirie and I’m thoroughly glad I did. The series follows the fortunes of an extended family that share mortal and faerie blood but the bonus for me is that although they create a definite series, the books work quite well as standalones, with only a little loss and a few gaps to bridge, and not having read the third in no way damaged my comprehension or enjoyment of the fourth.

So: about the world. In her chronicles, Prue has created a whole world that is almost a shadow of Earth. There are fantastic replicas of Medieval western Europe, Renaissance Venice and exotic India which all form the settings of earlier books. The style of her creation is to me reminiscent of Guy Gavriel Kay’s world and I find it enthralling. This latest foray opens up a new part of that world to explore: The Han. Clearly influenced heavily by Imperial China and with perhaps Japanese influences, it is a rich setting to become involved in.

About the writing. Prue is a wordsmith par excellence. Her use of unusual and oft archaic terms combine with her skill at sentence structure and description to provide a rich, heady read. I noted once that reading her work is like reading silk and now, five books on, that description holds all the more true. Prue’s concentration on character, motivation and feeling shows through and really brings the characters to life.

And finally, about the story: The Shifu Cloth is a story of siblings cruelly torn apart by kidnapping and slavery. Isabella, snatched from her native land, finds herself a slave of the mysterious and insular Han. As she begins to plan her escape and a journey back home, she is drawn into a web of strangeness wher she meets emperors and spirits, warriors and nobles, and her true potential gradually comes to the fore in the face of adversity. At the same time, her distraught family begin to fall apart as the search for Isabella produces no result until a bolt of strange cloth shows up bearing a hidden message and her half-brother Nicolas begins a dangerous journey in search of his lost sibling.

The whole thing is beautifully done. I would recommend you go have a read of the sample on Amazon here and see what you think. Currently most of the series are only available in eformat as the paperbacks are due, I believe, to be re-released soon.

This is highly recommended reading, particularly for those fantasy lovers out there, especially ones who like works in the vein of Guy Gavriel Kay.

Written by SJAT

February 6, 2013 at 6:07 pm