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Posts Tagged ‘saga

Winter’s Fire

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gkwf

Winter’s Fire is almost certainly my favourite Giles Kristian book so far, and that’s no mean feat, since I generally find the second book in a series to be the poorer cousin. Mind you, this might be the second book in Sigurd’s rise, but realistically it’s the fifth novel he’s written in the ongoing Sigurd and Raven series. Is it good? Let’s just say I spent this afternoon making Viking-based jokes and comments around Ripon and singing ‘Fimbrulvinter, fimbrulvinter’ to the tune of Spongebob Squarepants. Oddly, nobody asked me why, so I never got the chance to explain that Winter’s Fire is released today.

I really enjoyed God of Vengeance last year, especially following the somewhat dark and heavy Brothers’ Fury, and was more than pleased to be back in Kristian’s vision of the Viking world. And Winter’s Fire continues that tale perfectly. But there are subtle differences. Because this is not the disastrous cause of Sigurd’s vengeance, but part of his journey, there is less need for doom-laden anguish in this book and more room for humour. In that respect it reminds me more of the original Raven books than its immediate predecessor. There is more humour and adventurous yarn-weaving here than in the previous book, and that is very welcome to me. Historical fiction takes itself rather too seriously at times, and it is nice to be able to laugh at a fart gag from time to time. After all, we’re all mentally 12 when you come down to it.

Kristian’s skill as a storyteller and constructor of plots is notable with this book for one reason in particular to me. Like The Empire Strikes Back (yes, I return to my usual trilogy comparison) Winter’s Fire does not tell a focused story which ties up tight at the end. It roves as a plot, with tendrils reaching out in different areas, introducing new elements and bringing old ones back. Indeed, from part way through the book, we are given an entirely new thread to follow as Sigurd’s sister’s own tale becomes as important as a central theme as his. And the story kind of ends (minor spoiler I guess) on something of a cliffhanger, in the old fashioned weekly adventure serial style. How will the hero get out of this? And yet, despite the apparent disparate nature of the plot, it just works. It reads beautifully, it feels like a tale that grows, then focuses, then comes to a satisfactory conclusion. Indeed, as I said, it is, I think, my fave of his works thus far.

The story follows Sigurd and his motley crew as they prepare for the backlash of his killing of Jarl Randver in the previous book. He knows King Gorm will come for him, or send men to do so. And with his Odin Favour he manages to slip the net, of course, and set off on a new epic. But what he doesn’t know is that a new villain has promised the treacherous king that he will take Sigurd’s life. Thus begins a series of seemingly random events that will send Sigurd into the service of a King and a Jarl he’s never heard of and his sister Runa into the arms of a religious sisterhood the like of which we would love to see armed to the teeth and paying a visit to ISIS. Threads you could almost forget from early in the book will come into play near the end.

Moreover, as well as the usual crew, who we know and love from other books, there are several new and exciting characters brought forth in this book. The villain, who you will soon identify, is a true, chilling, evil bastard. He is not the common or garden villain that Randver was. This fellow is a truly unpleasant piece of work. You’ll love him. You’ll hate him. You’ll love to hate him. And the former champion of King Gorm? Well, I’ll let you discover that on your own. And the seidr-wife? Well she is just too cool.

I could go on for hours. The fact is that this book will almost certainly be in my year’s top 10 in December. It’s a work of the skald’s art. It came out today. That means you can have it on your e-reader or in the mail to you within the minute if you just open a new tab. Do it. Just go do it. It’s a win in every way. Kristian has been in the top tier of historical and adventure writers for years, but he’s just upped his game again.

Written by SJAT

April 7, 2016 at 10:21 pm

America’s First Daughter

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AFD-website-300x457

You might remember that back in November I told you all about a great book that was coming soon, of which I’d had the fortune to acquire an advance copy? Well it’s time to remind you, because it’s out TODAY! Yep, you can go buy your gleaming, absorbing copy of America’s First Daughter right now. Why? Well here’s how I reviewed it (and scroll down for more goodies too!):

This review has been a while in coming as I’ve been working out how to tackle it. Firstly let me make clear just how stunning a book it is. Now let me explain a little…

America’s First Daughter is not exactly my general sphere of reading. I tend towards swords, explosions, boobs and fart jokes in my reading. Alright, that’s maybe a simplification, but you get the idea. I like my historical fiction generally action packed and usually ancient or medieval. So the saga of a 18th-19th century family, their relationships and the political turmoil that surrounds them is a little out of my comfort zone. But every now and then it does you good to step outside your comfort zone. And with Stephanie now being an acquaintance of mine through involvement in a joint work, I felt it would do me no harm to read this, especially when she very kindly offered me an advance copy, wondering what an Englishman would make of what is in essence a very American book.

Firstly, I’ll tackle the form of the book. This is to some extent an old-fashioned family saga. It purports to be a tale of the daughter of Thomas Jefferson and in principle it is that, but it is much more besides. It is a tale that delves deep into the lives of the whole family and many of their friends – and enemies, in fact. It is the tale of the birth and growing pains of a nation. And it is epic in scope, both temporally and geographically. Covering more than forty years, it takes us from the last days of the American revolution to the late 1820s, showing not only a changing, growing family, but also a changing, growing world. And it takes us from the States to France and back. A truly epic work (and at 592 pages, you can see that!)

And so on to the style. There are a few writers who are capable of creating works of fiction that are so beautifully crafted that it matters little what tale they are actually attempting to tell, it will always be exquisite. Guy Gavriel Kay is such a writer. He could write a user manual for an Epson printer and make it something you clutch to your heart. Mostly, though, this appears to be the province of female writers. Prue Batten is one. I’ve said before that her writing is like silk. She could write a telephone book and I’d be riveted to it. Recently I have discovered several female American authors who have similar skills. Kate Quinn is one. Stephanie Dray is another. Their writing is heady, hypnotic and thoroughly immersive. And that is what I get from reading America’s First Daughter.

In short it is a beautifully written treatment of a family in the early days of the United States. The tale opens with out eponymous heroine in her father (Thomas Jefferson)’s study, after his death, going through the seemingly endless letters and correspondence he has left. And thus begins the story of Martha Jefferson and her family. Each chapter opens with a letter from or to one of the Jefferson family, which gives the chapter its direction. The authors then expand on the letter and give it form and content as Martha Jefferson recounts the chapters of her life in relation to that letter, each one taking us a step forward in time. It is a fascinating way to view a life and I can only doff my cap to the ladies for the sheer inventiveness of what they have done and for what must have been one of the most immersive and challenging research projects of all time. Imagine taking the collected correspondence of a man known for his letters, sorting them out and crafting a story from them. Impressive, isn’t it?

But for me (possibly due to my outsider’s view of the subject) the real win for America’s First Daughter was what I learned or was led to reconsider…

  • The very agrarian culture of the early Unites States with its landowners and estates, granting them political rights – reminiscent to me of ancient Rome in odd ways.
  • The amazingly close gap between the American revolution and the French revolution (a mere 13 years!)
  • The strange world of women in the era, given a very Victorian value system, and yet with strong women forging their own destinies very much ahead of their time.
  • The surprising strength of the abolitionist cause in Virginia, well in advance of the civil war. In fact the level of liberal thought seems more prevalent than I’d expected for the time.
  • Again, though, hos close the Revolution and the Civil war are in time, given how they seem to belong to such different eras in history.
  • The word Yankee. Its use led me to look up its origin and guess what: no one seems to know. It is a mysterious word.
  • The close cultural connections between the US and France at the time. And some of the history of Lafayette (who I mostly knew from a street name in New Orleans!)

There are so many more things I reexamined because of the book, but you get the idea. One mark of a good book has to be how much it makes you think, after all.

And I think also that it is quite brave of the authors to tackle this time and these people. It’s not like writing about ancient Rome or the crusades, because the people Stephanie and Laura are writing about here are real people whose families still exist and might be picking up the book and reading about great, great, great, great grandpappy. This is only perhaps 7 generations back, and I have knowledge of my family at that time. To tackle such troubling social situations involving those families is impressive.

One line from the book that stays with me and goes some way to explaining the epic scale of the work is “Though I’ve known personally five of the six presidents before him…”

If you are a lover of deep, very personal, very emotional prose, then you’ll probably buy this without my recommendation. If you are a lover of action adventure, well, take a punt. Have a try – you might well be surprised. I was. Stephanie and Laura (who is thus far unknown to me) have created something with such depth and languid style that it deserves to be read. And it’s out now! You can buy it here, and I recommend that you do.

And here, just to whet your appetite, is a short extract from the tale:

And what of our future . . . ?” I asked.

Mr. Short smiled. “If you could give up all thoughts of the convent, our future depends upon the orders your father is awaiting from America. Your father has asked that in his absence, I be appointed in his place as chargé d’affaireswith commensurate salary. If I receive such an appointment, then I can present myself to your father as a worthy suitor. Otherwise, I’m afraid he’ll consider me a wandering wastrel without employment.”

“He would never!”

Mr. Short chuckled mirthlessly. “You think not? I have in my possession a letter from your father lecturing me on the need to build my fortune. The most memorable line reads: This is not aworld in which heaven rains down riches into any open hand.

How churlish of Papa, but had I not, from the youngest age, also received letters filled with his lectures? “You mustn’t worry, Mr. Short. If my father requested your appointment, then it’s sure to come. But until it does, how can I be sure of your intentions in asking for my love?”

I didn’t expect him to laugh. “You’re Jefferson’s daughter, to the bone. You want evidence. Well, give me the chance and I’ll give you the proofs you require—both of my love and of the world you should love too much to abandon even for God. I wouldn’t have you enter a convent, much less love, in ignorance.”

“What do you think me ignorant of?”

With mischief twinkling in his eyes, he stopped, drawing me into a grove of trees. Beyond us, in the ditch, we heard boys playing a ball game in the dim lamplight. Somehow, in the dark, Mr. Short’s fingertips found my cheeks, and his mouth stole over mine. This first kiss was soft and tender. As if he feared frightening me. Nevertheless, it shocked me. It was like my heart was a loaded cannon he’d held fire to, and it threatened to shoot out of my chest. But I wasn’t frightened and I didn’t pull away. Instead, it seemed quite the most natural thing to kiss him back, mimicking what he did, glorying in every soft, sweet sensation.

At the feel of my lips teasing softly at his, he groaned and pulled back. “Oh, my heart . . .”

The sweet taste of him still on my lips, our breaths puffing in the night air, I asked, “Have I done something wrong?”

He held my cheeks in his hands. “The error was all mine. I’d beg your pardon if I could bring myself to regret it, but I never want to regret anything with you, so tonight I must content myself with one kiss.”

Only one? I wanted to lavish a thousand kisses on his face. Hislips, his cheeks, his ears. The desire was a sudden hunger, a desperate plea inside me echoing like the cry of peasants for bread.

“What if I’m not yet content? Wasn’t kissing me meant to be the proof of your intentions?”

“No, Patsy. Kissing you, then stopping before satisfaction, is the proof of my intentions, which I hope you’ll see are honorable and directed toward your happiness.”

Better still, there is a Rafflecopter giveaway. Irritatingly, I couldn’t get the code to embed in this page, but click on the link just there to enter and perhaps win a signed copy with a tote and notebook.

About AMERICA’S FIRST DAUGHTER:

In a compelling, richly researched novel that draws from thousands of letters and original sources, bestselling authors Stephanie Dray and Laura Kamoie tell the fascinating, untold story of Thomas Jefferson’s eldest daughter, Martha “Patsy” Jefferson Randolph—a woman who kept the secrets of our most enigmatic founding father and shaped an American legacy.

From her earliest days, Patsy Jefferson knows that though her father loves his family dearly, his devotion to his country runs deeper still. As Thomas Jefferson’s oldest daughter, she becomes his helpmate, protector, and constant companion in the wake of her mother’s death, traveling with him when he becomes American minister to France.

It is in Paris, at the glittering court and among the first tumultuous days of revolution, that fifteen-year-old Patsy learns about her father’s troubling liaison with Sally Hemings, a slave girl her own age. Meanwhile, Patsy has fallen in love—with her father’s protégé William Short, a staunch abolitionist and ambitious diplomat. Torn between love, principles, and the bonds of family, Patsy questions whether she can choose a life as William’s wife and still be a devoted daughter.

Her choice will follow her in the years to come, to Virginia farmland, Monticello, and even the White House. And as scandal, tragedy, and poverty threaten her family, Patsy must decide how much she will sacrifice to protect her father’s reputation, in the process defining not just his political legacy, but that of the nation he founded.

Buy Links:

Amazon: http://amzn.to/1oT6IZw

Barnes and Noble: http://bit.ly/1oT6Hon

iBooks: http://apple.co/1Kz82KS

Kobo: http://bit.ly/1Q19xyl

Add it to your Goodreads:  https://www.goodreads.com/book/show/25817162-america-s-first-daughter

Advanced Praise for America’s First Daughter:

“America’s First Daughter brings a turbulent era to vivid life. All the conflicts and complexities of the Early Republic are mirrored in Patsy’s story. It’s breathlessly exciting and heartbreaking by turns-a personal and political page-turner.” (Donna Thorland, author of The Turncoat)

“Painstakingly researched, beautifully hewn, compulsively readable — this enlightening literary journey takes us from Monticello to revolutionary Paris to the Jefferson White House, revealing remarkable historical details, dark family secrets, and bringing to life the colorful cast of characters who conceived of our new nation. A must read.” (Allison Pataki, New York Times bestselling author of The Accidental Empress)

About Stephanie Dray:

STEPHANIE DRAY is an award-winning, bestselling and two-time RITA award nominated author of historical women’s fiction. Her critically acclaimed series about Cleopatra’s daughter has been translated into eight different languages and won NJRW’s Golden Leaf. As Stephanie Draven, she is a national bestselling author of genre fiction and American-set historical women’s fiction. She is a frequent panelist and presenter at national writing conventions and lives near the nation’s capital. Before she became a novelist, she was a lawyer, a game designer, and a teacher. Now she uses the stories of women in history to inspire the young women of today.

Website |Newsletter | Facebook |Twitter | AMERICA’S FIRST DAUGHTER Website

About Laura Kamoie:

Laura Kamoie has always been fascinated by the people, stories, and physical presence of the past, which led her to a lifetime of historical and archaeological study and training. She holds a doctoral degree in early American history from The College of William and Mary, published two non-fiction books on early America, and most recently held the position of Associate Professor of History at the U.S. Naval Academy before transitioning to a full-time career writing genre fiction as the New York Times bestselling author of over twenty books, Laura Kaye. Her debut historical novel, America’s First Daughter, co-authored with Stephanie Dray, allowed her the exciting opportunity to combine her love of history with her passion for storytelling. Laura lives among the colonial charm of Annapolis, Maryland with her husband and two daughters.

Website |Newsletter | Facebook |Twitter | AMERICA’S FIRST DAUGHTER Website

America’s First Daughter

with one comment

AFD-website-300x457

This review has been a while in coming as I’ve been working out how to tackle it. Firstly let me make clear just how stunning a book it is. Now let me explain a little…

America’s First Daughter is not exactly my general sphere of reading. I tend towards swords, explosions, boobs and fart jokes in my reading. Alright, that’s maybe a simplification, but you get the idea. I like my historical fiction generally action packed and usually ancient or medieval. So the saga of a 18th-19th century family, their relationships and the political turmoil that surrounds them is a little out of my comfort zone. But every now and then it does you good to step outside your comfort zone. And with Stephanie now being an acquaintance of mine through involvement in a joint work, I felt it would do me no harm to read this, especially when she very kindly offered me an advance copy, wondering what an Englishman would make of what is in essence a very American book.

Firstly, I’ll tackle the form of the book. This is to some extent an old-fashioned family saga. It purports to be a tale of the daughter of Thomas Jefferson and in principle it is that, but it is much more besides. It is a tale that delves deep into the lives of the whole family and many of their friends – and enemies, in fact. It is the tale of the birth and growing pains of a nation. And it is epic in scope, both temporally and geographically. Covering more than forty years, it takes us from the last days of the American revolution to the late 1820s, showing not only a changing, growing family, but also a changing, growing world. And it takes us from the States to France and back. A truly epic work (and at 592 pages, you can see that!)

And so on to the style. There are a few writers who are capable of creating works of fiction that are so beautifully crafted that it matters little what tale they are actually attempting to tell, it will always be exquisite. Guy Gavriel Kay is such a writer. He could write a user manual for an Epson printer and make it something you clutch to your heart. Mostly, though, this appears to be the province of female writers. Prue Batten is one. I’ve said before that her writing is like silk. She could write a telephone book and I’d be riveted to it. Recently I have discovered several female American authors who have similar skills. Kate Quinn is one. Stephanie Dray is another. Their writing is heady, hypnotic and thoroughly immersive. And that is what I get from reading America’s First Daughter.

In short it is a beautifully written treatment of a family in the early days of the United States. The tale opens with out eponymous heroine in her father (Thomas Jefferson)’s study, after his death, going through the seemingly endless letters and correspondence he has left. And thus begins the story of Martha Jefferson and her family. Each chapter opens with a letter from or to one of the Jefferson family, which gives the chapter its direction. The authors then expand on the letter and give it form and content as Martha Jefferson recounts the chapters of her life in relation to that letter, each one taking us a step forward in time. It is a fascinating way to view a life and I can only doff my cap to the ladies for the sheer inventiveness of what they have done and for what must have been one of the most immersive and challenging research projects of all time. Imagine taking the collected correspondence of a man known for his letters, sorting them out and crafting a story from them. Impressive, isn’t it?

But for me (possibly due to my outsider’s view of the subject) the real win for America’s First Daughter was what I learned or was led to reconsider…

  • The very agrarian culture of the early Unites States with its landowners and estates, granting them political rights – reminiscent to me of ancient Rome in odd ways.
  • The amazingly close gap between the American revolution and the French revolution (a mere 13 years!)
  • The strange world of women in the era, given a very Victorian value system, and yet with strong women forging their own destinies very much ahead of their time.
  • The surprising strength of the abolitionist cause in Virginia, well in advance of the civil war. In fact the level of liberal thought seems more prevalent than I’d expected for the time.
  • Again, though, hos close the Revolution and the Civil war are in time, given how they seem to belong to such different eras in history.
  • The word Yankee. Its use led me to look up its origin and guess what: no one seems to know. It is a mysterious word.
  • The close cultural connections between the US and France at the time. And some of the history of Lafayette (who I mostly knew from a street name in New Orleans!)

There are so many more things I reexamined because of the book, but you get the idea. One mark of a good book has to be how much it makes you think, after all.

And I think also that it is quite brave of the authors to tackle this time and these people. It’s not like writing about ancient Rome or the crusades, because the people Stephanie and Laura are writing about here are real people whose families still exist and might be picking up the book and reading about great, great, great, great grandpappy. This is only perhaps 7 generations back, and I have knowledge of my family at that time. To tackle such troubling social situations involving those families is impressive.

One line from the book that stays with me and goes some way to explaining the epic scale of the work is “Though I’ve known personally five of the six presidents before him…”

If you are a lover of deep, very personal, very emotional prose, then you’ll probably buy this without my recommendation. If you are a lover of action adventure, well, take a punt. Have a try – you might well be surprised. I was. Stephanie and Laura (who is thus far unknown to me) have created something with such depth and languid style that it deserves to be read. And you’ll have to wait for a short while yet, I’m afraid, since it is not released until March 1st next year. But you can pre-order it here, and I recommend that you do.

Vengeance is here

with 2 comments

gov

Remember Raven? Well you should do! Giles Kristian’s debut book and the series that followed were ground-breaking for me, being the first Viking novels I had read. They had all the action, excitement and fur-wrapped adventure – with frozen snot in your beard – as a reader could hope.

Then Giles stopped (or more accurately paused) the Viking writing to delve into the world of the English Civil War with The Bleeding Land, which was one of the deepest, most harrowing pieces of historical fiction I ever read. A sequel spawned to that, and here was I awaiting the third of those novels. But no. Giles is of Norwegian descent and clearly he was, to quote a famous scene, pining for the fjords. As a surprise, instead of a third civil war novel, or even a fourth Raven one, we are given… (insert drumroll here) A PREQUEL!

Enter God of Vengeance. For those of you who haven’t read the Raven books, you’re in luck. This could be read without any prior knowledge. In fact perhaps it would even be better. For those who have, this novel tells the tale of our Raven fave Sigurd as a young man and treats us to his introduction to several of the solid characters who will make up his crew in Raven (including the excellent Black Floki.)

Sigurd is too young to accompany his father to war as part of King Gorm’s war on the rebel Jarl Randver. Instead he travels to a clifftop with family and friends to watch the sea battle unfold. To his horror, instead of seeing his father win easy glory, he watches as King Gorm betrays his father and the three ships are overwhelmed.

Thus begins Sigurd’s saga and a new series for Giles as the Odin-favoured wily hero, betrayed, orphaned and homeless sets out with the few survivors of his father’s oath-sworn to form a band of warriors – based upon a Gods-sent vision – in order to seek revenge on his enemies and regain his  honour. Ranging around a relatively small region of the western coast of Norway, Sigurd will wade through blood if he must to achieve his goal.

One of the surprising things about this book is the inclusion of a strong female character. Strong females are not all that common in ancient-medieval fiction anyway, and in the Viking world perhaps even less common. This shield maiden is a welcome addition to the cast.

The thing I will say above anything that recommends this book is the writing. Giles’ early works were very action/adventure, in the best possible way, while his civil war saga has  been harrowing and dark and emotional. God of Vengeance seems to draw on both sides of his writing to create a new, different style. It has the feel of a traditional Viking Saga. The wordsmithing in it is fine and authentic-feeling, and it will transport you right back to the era. Giles has moved on from being a storyteller of the highest calibre to being  a true Skald.

God of Vengeance is out today and if you loved Sigurd as the supporting character of Raven, you’ll LOVE him as the hero of his own saga.

Buy it today.

Written by SJAT

April 24, 2014 at 8:00 am